ramayana versions

Depending on the methods of counting, as many as three hundred[1][2] versions of the Indian Hindu epic poem, the Ramayana, are known to exist. The oldest version is generally recognized to be the Sanskrit version attributed to sage Narada, the Mula Ramayana.[3] Narada passed on the knowledge to Valmiki, who authored Valmiki Ramayana, the present oldest available version of Ramayana.
The Ramayana has spread to many Asian countries outside of India, including Burma, Indonesia, Cambodia, Laos, Philippines, Sri Lanka, Nepal, Thailand, Singapore, Malaysia, Japan, Mongolia, Vietnam and China.[4][5] The original Valmiki version has been adapted or translated into various regional languages, which have often been marked more or less by plot twists and thematic adaptations. Some of the important adaptations of the classic tale include the 12th-century Tamil language Ramavataram, 12th-century Kannada Ramachandra Charitapurana or Pampa Ramayana by Nagachandra, 13th-century Telugu language Sri Ranganatha Ramayanam, 14th or 15th-century Assamese Saptakanda Ramayana, 15th-century Bengali Krittivasi Ramayana, 16th-century Awadhi Ramcharitmanas, 17th-century Malayalam language Adhyathmaramayanam Kilippattu, the Khmer Reamker, the Old Javanese Kakawin Ramayana, and the Thai Ramakien, the Lao Phra Lak Phra Lam, and the Burmese Yama Zatdaw.
The manifestation of the core themes of the original Ramayana is far broader even than can be understood from a consideration of the different languages in which it appears, as its essence has been expressed in a diverse array of regional cultures and artistic mediums. For instance, the Ramayana has been expressed or interpreted in Lkhaon Khmer dance theatre, in the Ramanattam and Kathakali of Kerala, in the Mappila Songs of the Muslims of Kerala and Lakshadweep,[6] in the Indian operatic tradition of Yakshagana, and in the epic paintings still extant on, for instance, the walls of Thailand's Wat Phra Kaew palace temple. In Indonesia, the tales of the Ramayana appear reflected in traditional dance performances such as Sendratari Ramayana and Kecak, masked danced drama, and Wayang shadow puppetry.[7] Angkor Wat in Siem Reap also has mural scenes from the epic Battle of Lanka on one of its outer walls.
Sanskrit versions
Below are a few of the most prominent Sanskrit versions of the Ramayana. Some primarily recount Valmiki's narrative, while others focus more on peripheral stories and/or philosophical expositions:
- Adhyatma Ramayana or spiritual Ramayana is extracted from the Brahmanda Purana, traditionally ascribed to Vyasa. It is thought to be the inspiration for Tulsidas’ Ramcharitmanas in Awadhi. While the Valmiki Ramayana emphasizes Rama's human nature, the Adhyatam Ramayana tells the story from the perspective of his divinity. It is organized into seven Kandas, parallel to Valmiki's.
- Vasistha Ramayana (more commonly known as Yoga Vasistha) is traditionally attributed to Valmiki. It is principally a dialogue between Vasistha and Rama in which Vasistha advances many of the principle tenets of Advaita Vedanta. It includes many anecdotes and illustrative stories, but does not recount Valmiki's story of Rama in detail.
- Vasudevahiṇḍī (circa 4th century CE) authored around 4th-5th century CE by Saṅghadāsagaṇī Vāchaka, in Maharashtra Prakrit.[8]
- Daśagrīvā Rākṣasa Charitrām Vadham (circa 6th century CE) this manuscript from Kolkata contains five kandas: Balakanda and Uttarakanda are missing. This version portrays Rama as more of a human than God.[9]
- Laghu Yoga Vasishtha (circa 10th century) by Abhinanda of Kashmir, is an abbreviated version of the original Yoga Vasistha.[10]
- Ananda Ramayana (circa 15th century CE) this is traditionally attributed to Valmiki. While it briefly recounts the traditional story of Rama, it is composed primarily of stories peripheral, though related, to Valmiki's narrative. This ramayana treats the last years of Rama's life and includes Ravana's abduction of Sita and Rama's installation of the Shiva Lingam at Rameswaram.[11]
- Agastya Ramayana is also traditionally attributed to Agastya.
- Adbhuta Ramayana, traditionally attributed to Valmiki, includes related stories of Rama. Its emphasis is on the role of Sita, and includes an expanded story of the circumstances of her birth as well as an account of her defeat of Ravana's elder brother, known as Mahiravana and with 1000 heads.
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